I was 14 when I first heard Come As You Are. It wasn’t just a song. It was permission. To be awkward. To be angry. To not know who I was yet.

Kurt didn’t sing like he was performing. He sang like he was confessing. And for a lot of us, that honesty cracked something open. He made not fitting in feel like the point.
Fast forward to now. I’m 41. I still wear black. I still turn the volume up when I’m sad. But I’ve noticed something funny.
The 16-year-olds I talk to? They’re nostalgic for Slipknot.
Let that sink in.
Not because Slipknot just released something new. But because they remind them of a time before the algorithm. Because there’s something comforting about music that screams without asking you to like it.
I used to see Slipknot as the nu metal of that era. Louder. Heavier. Masked. Madder.
But to these kids, Slipknot is the nostalgia act. The way Nirvana is mine.
It’s a reminder that pain doesn’t go out of style. It just changes instruments.
My generation picked up broken guitars. This one picked up distortion pedals, horror masks, and 9-person drum circles. Same feeling, different outlet.
They don’t listen to Slipknot because it’s trendy. They listen to it because it sounds like something real in a world full of things pretending to be.
And honestly? I get it.
If I were 16 right now, I’d probably be screaming too.
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